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半澤友美「Narrative Act」
Tomomi Hanzawa "Narrative Act"
2022年8月19日（金）− 9月17日（土）
DiEGO 表参道/ 東京
2022.8.19 fri.-9.17 sat.
DiEGO Omotesando, Tokyo, Japan
https://diego-omotesando.shop/
物語を語ることは、語りの中で過去の出来事を〈関係づけて語る〉ことであり、他者が過去の生のさまざまな糸を何度も手繰りながら自分自身の生の糸を紡ぎだそうとするときに従う、世界を貫く一本の小道を辿り直すことである。（ティム・インゴルド『ラインズ 線の文化史』）
Narrative act（物語行為）は私が私を見るために有効な手段の一つです。
社会や時間との絡まりの中で織りなされる私について、出来事を関連づけながら、選択・配列し、Narrative（物語）を作り出します。紙の上においては読むことができる表面に置かれる痕跡としてNarrativeは出現しますが、紙を構造物として見た時に、紙と痕跡が形成される過程で生成される軌跡の存在に気がつきます。そこに至る過程での出来事、それと同時に起きている出来事、世界のなかでそれに続いて起こる出来事、などとの関係が交錯する中、自分自身を位置付ける、または意味付けるための選択しをし、配列した線を辿ることで、Narrative actは行われるのではないでしょうか。
表面から構造へ、軌跡へ、成り立ちへ、そして自己へ
あらゆる関係の絡み合いへの興味と自覚は生の在り様そのものを深くみつめることになるのではないかと考えています。
Narrative act is one of the effective means by which I see me.
It creates Narrative by selecting and sequencing events, relating them to each other, about me as I am woven into the fabric of society and time. On paper, the narrative appears as a trace on a readable surface, but when we look at paper as a structure, we notice the existence of traces generated in the process of forming the paper and the trace. Narrative acts may be performed by making choices to position oneself or to give meaning to oneself, and by tracing the lines that have been arranged in the intermingling of the relationship with the events that have occurred in the process of getting there, the events that are occurring at the same time, and the events that follow in the world.
From surface to structure, to trajectory, to origins, and to self.
I believe that an interest in and awareness of the intertwining of all relationships will lead to a deeper look at the very nature of life itself.
Installation view
Follow the trails
2022
楮、土性顔料
Mulberry, earth pigment
w7200xd400mm
メキシコに行ったときに教えてもらった、伝統紙アマテの制作方法を参考に作品にしました。並べた木の皮を石で叩いて紙にする樹皮紙の一種です。
記録するための地としてあまりに普通に使用している紙も、実は構造物であり、形成される過程で時間や環境、出来事などいろいろな事物が交錯した痕跡でもあります。
木の皮を並べる際に使っていたガイド線を、版にして、出来た樹皮紙の上にガイド線を再度現しました。紙ができる過程で生じる、ずれやぬけに道を辿り直すことで気が付きます。
I made this work based on the method of making traditional paper amate, which I was taught when I visited Mexico. It is a type of bark paper made by beating the bark of lined trees with a stone to make paper.
Paper, which is so commonly used as a ground for recording, is actually a structure, a trace of the intermingling of various things such as time, environment, and events in the process of formation.
The guide lines used to line up the bark of the trees were used as plates, and the guide lines were reappeared on the resulting bark paper. By retracing the path, one notices the misalignments and omissions that occur in the process of paper making.
楮、土性顔料
Mulberry, earth pigment
w7200xd400mm
メキシコに行ったときに教えてもらった、伝統紙アマテの制作方法を参考に作品にしました。並べた木の皮を石で叩いて紙にする樹皮紙の一種です。
記録するための地としてあまりに普通に使用している紙も、実は構造物であり、形成される過程で時間や環境、出来事などいろいろな事物が交錯した痕跡でもあります。
木の皮を並べる際に使っていたガイド線を、版にして、出来た樹皮紙の上にガイド線を再度現しました。紙ができる過程で生じる、ずれやぬけに道を辿り直すことで気が付きます。
I made this work based on the method of making traditional paper amate, which I was taught when I visited Mexico. It is a type of bark paper made by beating the bark of lined trees with a stone to make paper.
Paper, which is so commonly used as a ground for recording, is actually a structure, a trace of the intermingling of various things such as time, environment, and events in the process of formation.
The guide lines used to line up the bark of the trees were used as plates, and the guide lines were reappeared on the resulting bark paper. By retracing the path, one notices the misalignments and omissions that occur in the process of paper making.
Follow the trails
2022
楮、土性顔料
Mulberry, earth pigment
w7200xd400mm
メキシコに行ったときに教えてもらった、伝統紙アマテの制作方法を参考に作品にしました。並べた木の皮を石で叩いて紙にする樹皮紙の一種です。
記録するための地としてあまりに普通に使用している紙も、実は構造物であり、形成される過程で時間や環境、出来事などいろいろな事物が交錯した痕跡でもあります。
木の皮を並べる際に使っていたガイド線を、版にして、出来た樹皮紙の上にガイド線を再度現しました。紙ができる過程で生じる、ずれやぬけに道を辿り直すことで気が付きます。
I made this work based on the method of making traditional paper amate, which I was taught when I visited Mexico. It is a type of bark paper made by beating the bark of lined trees with a stone to make paper.
Paper, which is so commonly used as a ground for recording, is actually a structure, a trace of the intermingling of various things such as time, environment, and events in the process of formation.
The guide lines used to line up the bark of the trees were used as plates, and the guide lines were reappeared on the resulting bark paper. By retracing the path, one notices the misalignments and omissions that occur in the process of paper making.
楮、土性顔料
Mulberry, earth pigment
w7200xd400mm
メキシコに行ったときに教えてもらった、伝統紙アマテの制作方法を参考に作品にしました。並べた木の皮を石で叩いて紙にする樹皮紙の一種です。
記録するための地としてあまりに普通に使用している紙も、実は構造物であり、形成される過程で時間や環境、出来事などいろいろな事物が交錯した痕跡でもあります。
木の皮を並べる際に使っていたガイド線を、版にして、出来た樹皮紙の上にガイド線を再度現しました。紙ができる過程で生じる、ずれやぬけに道を辿り直すことで気が付きます。
I made this work based on the method of making traditional paper amate, which I was taught when I visited Mexico. It is a type of bark paper made by beating the bark of lined trees with a stone to make paper.
Paper, which is so commonly used as a ground for recording, is actually a structure, a trace of the intermingling of various things such as time, environment, and events in the process of formation.
The guide lines used to line up the bark of the trees were used as plates, and the guide lines were reappeared on the resulting bark paper. By retracing the path, one notices the misalignments and omissions that occur in the process of paper making.
Narrative act
2022
籐、楮、漆喰、土性顔料
Rattan, mulberry, plaster, pigment
w675xd60xh915mm
Narrative act（物語行為）は私が私を見るために有効な手段の一つです。 社会や時間との絡まりの中で織りなされる私について、出来事を関連づけながら、選択・配列し、Narrative（物語）を作り出します。 紙の上においては読むことができる表面に置かれる痕跡としてNarrativeは出現しますが、紙を構造物として見た時に、紙と痕跡が形成される過程で生成される軌跡の存在に気がつきます。 そこに至る過程での出来事、それと同時に起きている出来事、世界のなかでそれに続いて起こる出来事、などとの関係が交錯する中、自分自身を位置付ける、または意味付けるための選択をし、配列した線を辿ることで、Narrative actは行われるのではないでしょうか。
表面から構造へ、軌跡へ、成り立ちへ、そして自己へ。
あらゆる関係の絡み合いへの興味と自覚は生の在り様そのものを深くみつめることになるのではないかと考えています。
Narrative act is one of the effective means by which I see me.
It creates Narrative by selecting and sequencing events, relating them to each other, about me as I am woven into the fabric of society and time. On paper, the narrative appears as a trace on a readable surface, but when we look at paper as a structure, we notice the existence of traces generated in the process of forming the paper and the trace. Narrative acts may be performed by making choices to position oneself or to give meaning to oneself, and by tracing the lines that have been arranged in the intermingling of the relationship with the events that have occurred in the process of getting there, the events that are occurring at the same time, and the events that follow in the world.
From surface to structure, to trajectory, to origins, and to self.
I believe that an interest in and awareness of the intertwining of all relationships will lead to a deeper look at the very nature of life itself.
籐、楮、漆喰、土性顔料
Rattan, mulberry, plaster, pigment
w675xd60xh915mm
Narrative act（物語行為）は私が私を見るために有効な手段の一つです。 社会や時間との絡まりの中で織りなされる私について、出来事を関連づけながら、選択・配列し、Narrative（物語）を作り出します。 紙の上においては読むことができる表面に置かれる痕跡としてNarrativeは出現しますが、紙を構造物として見た時に、紙と痕跡が形成される過程で生成される軌跡の存在に気がつきます。 そこに至る過程での出来事、それと同時に起きている出来事、世界のなかでそれに続いて起こる出来事、などとの関係が交錯する中、自分自身を位置付ける、または意味付けるための選択をし、配列した線を辿ることで、Narrative actは行われるのではないでしょうか。
表面から構造へ、軌跡へ、成り立ちへ、そして自己へ。
あらゆる関係の絡み合いへの興味と自覚は生の在り様そのものを深くみつめることになるのではないかと考えています。
Narrative act is one of the effective means by which I see me.
It creates Narrative by selecting and sequencing events, relating them to each other, about me as I am woven into the fabric of society and time. On paper, the narrative appears as a trace on a readable surface, but when we look at paper as a structure, we notice the existence of traces generated in the process of forming the paper and the trace. Narrative acts may be performed by making choices to position oneself or to give meaning to oneself, and by tracing the lines that have been arranged in the intermingling of the relationship with the events that have occurred in the process of getting there, the events that are occurring at the same time, and the events that follow in the world.
From surface to structure, to trajectory, to origins, and to self.
I believe that an interest in and awareness of the intertwining of all relationships will lead to a deeper look at the very nature of life itself.
Narrative act
2022
籐、楮、漆喰、土性顔料
Rattan, mulberry, plaster, pigment
w675xd60xh915mm
Narrative act（物語行為）は私が私を見るために有効な手段の一つです。 社会や時間との絡まりの中で織りなされる私について、出来事を関連づけながら、選択・配列し、Narrative（物語）を作り出します。 紙の上においては読むことができる表面に置かれる痕跡としてNarrativeは出現しますが、紙を構造物として見た時に、紙と痕跡が形成される過程で生成される軌跡の存在に気がつきます。 そこに至る過程での出来事、それと同時に起きている出来事、世界のなかでそれに続いて起こる出来事、などとの関係が交錯する中、自分自身を位置付ける、または意味付けるための選択をし、配列した線を辿ることで、Narrative actは行われるのではないでしょうか。
表面から構造へ、軌跡へ、成り立ちへ、そして自己へ。
あらゆる関係の絡み合いへの興味と自覚は生の在り様そのものを深くみつめることになるのではないかと考えています。
Narrative act is one of the effective means by which I see me.
It creates Narrative by selecting and sequencing events, relating them to each other, about me as I am woven into the fabric of society and time. On paper, the narrative appears as a trace on a readable surface, but when we look at paper as a structure, we notice the existence of traces generated in the process of forming the paper and the trace. Narrative acts may be performed by making choices to position oneself or to give meaning to oneself, and by tracing the lines that have been arranged in the intermingling of the relationship with the events that have occurred in the process of getting there, the events that are occurring at the same time, and the events that follow in the world.
From surface to structure, to trajectory, to origins, and to self.
I believe that an interest in and awareness of the intertwining of all relationships will lead to a deeper look at the very nature of life itself.
籐、楮、漆喰、土性顔料
Rattan, mulberry, plaster, pigment
w675xd60xh915mm
Narrative act（物語行為）は私が私を見るために有効な手段の一つです。 社会や時間との絡まりの中で織りなされる私について、出来事を関連づけながら、選択・配列し、Narrative（物語）を作り出します。 紙の上においては読むことができる表面に置かれる痕跡としてNarrativeは出現しますが、紙を構造物として見た時に、紙と痕跡が形成される過程で生成される軌跡の存在に気がつきます。 そこに至る過程での出来事、それと同時に起きている出来事、世界のなかでそれに続いて起こる出来事、などとの関係が交錯する中、自分自身を位置付ける、または意味付けるための選択をし、配列した線を辿ることで、Narrative actは行われるのではないでしょうか。
表面から構造へ、軌跡へ、成り立ちへ、そして自己へ。
あらゆる関係の絡み合いへの興味と自覚は生の在り様そのものを深くみつめることになるのではないかと考えています。
Narrative act is one of the effective means by which I see me.
It creates Narrative by selecting and sequencing events, relating them to each other, about me as I am woven into the fabric of society and time. On paper, the narrative appears as a trace on a readable surface, but when we look at paper as a structure, we notice the existence of traces generated in the process of forming the paper and the trace. Narrative acts may be performed by making choices to position oneself or to give meaning to oneself, and by tracing the lines that have been arranged in the intermingling of the relationship with the events that have occurred in the process of getting there, the events that are occurring at the same time, and the events that follow in the world.
From surface to structure, to trajectory, to origins, and to self.
I believe that an interest in and awareness of the intertwining of all relationships will lead to a deeper look at the very nature of life itself.
Narrative act
2022
籐、楮、漆喰、土性顔料
Rattan, mulberry, plaster, pigment
w675xd60xh915mm
Narrative act（物語行為）は私が私を見るために有効な手段の一つです。 社会や時間との絡まりの中で織りなされる私について、出来事を関連づけながら、選択・配列し、Narrative（物語）を作り出します。 紙の上においては読むことができる表面に置かれる痕跡としてNarrativeは出現しますが、紙を構造物として見た時に、紙と痕跡が形成される過程で生成される軌跡の存在に気がつきます。 そこに至る過程での出来事、それと同時に起きている出来事、世界のなかでそれに続いて起こる出来事、などとの関係が交錯する中、自分自身を位置付ける、または意味付けるための選択をし、配列した線を辿ることで、Narrative actは行われるのではないでしょうか。
表面から構造へ、軌跡へ、成り立ちへ、そして自己へ。
あらゆる関係の絡み合いへの興味と自覚は生の在り様そのものを深くみつめることになるのではないかと考えています。
Narrative act is one of the effective means by which I see me.
It creates Narrative by selecting and sequencing events, relating them to each other, about me as I am woven into the fabric of society and time. On paper, the narrative appears as a trace on a readable surface, but when we look at paper as a structure, we notice the existence of traces generated in the process of forming the paper and the trace. Narrative acts may be performed by making choices to position oneself or to give meaning to oneself, and by tracing the lines that have been arranged in the intermingling of the relationship with the events that have occurred in the process of getting there, the events that are occurring at the same time, and the events that follow in the world.
From surface to structure, to trajectory, to origins, and to self.
I believe that an interest in and awareness of the intertwining of all relationships will lead to a deeper look at the very nature of life itself.
籐、楮、漆喰、土性顔料
Rattan, mulberry, plaster, pigment
w675xd60xh915mm
Narrative act（物語行為）は私が私を見るために有効な手段の一つです。 社会や時間との絡まりの中で織りなされる私について、出来事を関連づけながら、選択・配列し、Narrative（物語）を作り出します。 紙の上においては読むことができる表面に置かれる痕跡としてNarrativeは出現しますが、紙を構造物として見た時に、紙と痕跡が形成される過程で生成される軌跡の存在に気がつきます。 そこに至る過程での出来事、それと同時に起きている出来事、世界のなかでそれに続いて起こる出来事、などとの関係が交錯する中、自分自身を位置付ける、または意味付けるための選択をし、配列した線を辿ることで、Narrative actは行われるのではないでしょうか。
表面から構造へ、軌跡へ、成り立ちへ、そして自己へ。
あらゆる関係の絡み合いへの興味と自覚は生の在り様そのものを深くみつめることになるのではないかと考えています。
Narrative act is one of the effective means by which I see me.
It creates Narrative by selecting and sequencing events, relating them to each other, about me as I am woven into the fabric of society and time. On paper, the narrative appears as a trace on a readable surface, but when we look at paper as a structure, we notice the existence of traces generated in the process of forming the paper and the trace. Narrative acts may be performed by making choices to position oneself or to give meaning to oneself, and by tracing the lines that have been arranged in the intermingling of the relationship with the events that have occurred in the process of getting there, the events that are occurring at the same time, and the events that follow in the world.
From surface to structure, to trajectory, to origins, and to self.
I believe that an interest in and awareness of the intertwining of all relationships will lead to a deeper look at the very nature of life itself.
Narrative act
2022
籐、楮、漆喰、土性顔料
Rattan, mulberry, plaster, pigment
w675xd60xh915mm
Narrative act（物語行為）は私が私を見るために有効な手段の一つです。 社会や時間との絡まりの中で織りなされる私について、出来事を関連づけながら、選択・配列し、Narrative（物語）を作り出します。 紙の上においては読むことができる表面に置かれる痕跡としてNarrativeは出現しますが、紙を構造物として見た時に、紙と痕跡が形成される過程で生成される軌跡の存在に気がつきます。 そこに至る過程での出来事、それと同時に起きている出来事、世界のなかでそれに続いて起こる出来事、などとの関係が交錯する中、自分自身を位置付ける、または意味付けるための選択をし、配列した線を辿ることで、Narrative actは行われるのではないでしょうか。
表面から構造へ、軌跡へ、成り立ちへ、そして自己へ。
あらゆる関係の絡み合いへの興味と自覚は生の在り様そのものを深くみつめることになるのではないかと考えています。
Narrative act is one of the effective means by which I see me.
It creates Narrative by selecting and sequencing events, relating them to each other, about me as I am woven into the fabric of society and time. On paper, the narrative appears as a trace on a readable surface, but when we look at paper as a structure, we notice the existence of traces generated in the process of forming the paper and the trace. Narrative acts may be performed by making choices to position oneself or to give meaning to oneself, and by tracing the lines that have been arranged in the intermingling of the relationship with the events that have occurred in the process of getting there, the events that are occurring at the same time, and the events that follow in the world.
From surface to structure, to trajectory, to origins, and to self.
I believe that an interest in and awareness of the intertwining of all relationships will lead to a deeper look at the very nature of life itself.
籐、楮、漆喰、土性顔料
Rattan, mulberry, plaster, pigment
w675xd60xh915mm
Narrative act（物語行為）は私が私を見るために有効な手段の一つです。 社会や時間との絡まりの中で織りなされる私について、出来事を関連づけながら、選択・配列し、Narrative（物語）を作り出します。 紙の上においては読むことができる表面に置かれる痕跡としてNarrativeは出現しますが、紙を構造物として見た時に、紙と痕跡が形成される過程で生成される軌跡の存在に気がつきます。 そこに至る過程での出来事、それと同時に起きている出来事、世界のなかでそれに続いて起こる出来事、などとの関係が交錯する中、自分自身を位置付ける、または意味付けるための選択をし、配列した線を辿ることで、Narrative actは行われるのではないでしょうか。
表面から構造へ、軌跡へ、成り立ちへ、そして自己へ。
あらゆる関係の絡み合いへの興味と自覚は生の在り様そのものを深くみつめることになるのではないかと考えています。
Narrative act is one of the effective means by which I see me.
It creates Narrative by selecting and sequencing events, relating them to each other, about me as I am woven into the fabric of society and time. On paper, the narrative appears as a trace on a readable surface, but when we look at paper as a structure, we notice the existence of traces generated in the process of forming the paper and the trace. Narrative acts may be performed by making choices to position oneself or to give meaning to oneself, and by tracing the lines that have been arranged in the intermingling of the relationship with the events that have occurred in the process of getting there, the events that are occurring at the same time, and the events that follow in the world.
From surface to structure, to trajectory, to origins, and to self.
I believe that an interest in and awareness of the intertwining of all relationships will lead to a deeper look at the very nature of life itself.
Narrative act
2022
籐、楮、漆喰、土性顔料
Rattan, mulberry, plaster, pigment
w675xd60xh915mm
Narrative act（物語行為）は私が私を見るために有効な手段の一つです。 社会や時間との絡まりの中で織りなされる私について、出来事を関連づけながら、選択・配列し、Narrative（物語）を作り出します。 紙の上においては読むことができる表面に置かれる痕跡としてNarrativeは出現しますが、紙を構造物として見た時に、紙と痕跡が形成される過程で生成される軌跡の存在に気がつきます。 そこに至る過程での出来事、それと同時に起きている出来事、世界のなかでそれに続いて起こる出来事、などとの関係が交錯する中、自分自身を位置付ける、または意味付けるための選択をし、配列した線を辿ることで、Narrative actは行われるのではないでしょうか。
表面から構造へ、軌跡へ、成り立ちへ、そして自己へ。
あらゆる関係の絡み合いへの興味と自覚は生の在り様そのものを深くみつめることになるのではないかと考えています。
Narrative act is one of the effective means by which I see me.
It creates Narrative by selecting and sequencing events, relating them to each other, about me as I am woven into the fabric of society and time. On paper, the narrative appears as a trace on a readable surface, but when we look at paper as a structure, we notice the existence of traces generated in the process of forming the paper and the trace. Narrative acts may be performed by making choices to position oneself or to give meaning to oneself, and by tracing the lines that have been arranged in the intermingling of the relationship with the events that have occurred in the process of getting there, the events that are occurring at the same time, and the events that follow in the world.
From surface to structure, to trajectory, to origins, and to self.
I believe that an interest in and awareness of the intertwining of all relationships will lead to a deeper look at the very nature of life itself.
籐、楮、漆喰、土性顔料
Rattan, mulberry, plaster, pigment
w675xd60xh915mm
Narrative act（物語行為）は私が私を見るために有効な手段の一つです。 社会や時間との絡まりの中で織りなされる私について、出来事を関連づけながら、選択・配列し、Narrative（物語）を作り出します。 紙の上においては読むことができる表面に置かれる痕跡としてNarrativeは出現しますが、紙を構造物として見た時に、紙と痕跡が形成される過程で生成される軌跡の存在に気がつきます。 そこに至る過程での出来事、それと同時に起きている出来事、世界のなかでそれに続いて起こる出来事、などとの関係が交錯する中、自分自身を位置付ける、または意味付けるための選択をし、配列した線を辿ることで、Narrative actは行われるのではないでしょうか。
表面から構造へ、軌跡へ、成り立ちへ、そして自己へ。
あらゆる関係の絡み合いへの興味と自覚は生の在り様そのものを深くみつめることになるのではないかと考えています。
Narrative act is one of the effective means by which I see me.
It creates Narrative by selecting and sequencing events, relating them to each other, about me as I am woven into the fabric of society and time. On paper, the narrative appears as a trace on a readable surface, but when we look at paper as a structure, we notice the existence of traces generated in the process of forming the paper and the trace. Narrative acts may be performed by making choices to position oneself or to give meaning to oneself, and by tracing the lines that have been arranged in the intermingling of the relationship with the events that have occurred in the process of getting there, the events that are occurring at the same time, and the events that follow in the world.
From surface to structure, to trajectory, to origins, and to self.
I believe that an interest in and awareness of the intertwining of all relationships will lead to a deeper look at the very nature of life itself.
Narrative act
2022
籐、楮、漆喰、土性顔料
Rattan, mulberry, plaster, pigment
w675xd60xh915mm
Narrative act（物語行為）は私が私を見るために有効な手段の一つです。 社会や時間との絡まりの中で織りなされる私について、出来事を関連づけながら、選択・配列し、Narrative（物語）を作り出します。 紙の上においては読むことができる表面に置かれる痕跡としてNarrativeは出現しますが、紙を構造物として見た時に、紙と痕跡が形成される過程で生成される軌跡の存在に気がつきます。 そこに至る過程での出来事、それと同時に起きている出来事、世界のなかでそれに続いて起こる出来事、などとの関係が交錯する中、自分自身を位置付ける、または意味付けるための選択をし、配列した線を辿ることで、Narrative actは行われるのではないでしょうか。
表面から構造へ、軌跡へ、成り立ちへ、そして自己へ。
あらゆる関係の絡み合いへの興味と自覚は生の在り様そのものを深くみつめることになるのではないかと考えています。
Narrative act is one of the effective means by which I see me.
It creates Narrative by selecting and sequencing events, relating them to each other, about me as I am woven into the fabric of society and time. On paper, the narrative appears as a trace on a readable surface, but when we look at paper as a structure, we notice the existence of traces generated in the process of forming the paper and the trace. Narrative acts may be performed by making choices to position oneself or to give meaning to oneself, and by tracing the lines that have been arranged in the intermingling of the relationship with the events that have occurred in the process of getting there, the events that are occurring at the same time, and the events that follow in the world.
From surface to structure, to trajectory, to origins, and to self.
I believe that an interest in and awareness of the intertwining of all relationships will lead to a deeper look at the very nature of life itself.
籐、楮、漆喰、土性顔料
Rattan, mulberry, plaster, pigment
w675xd60xh915mm
Narrative act（物語行為）は私が私を見るために有効な手段の一つです。 社会や時間との絡まりの中で織りなされる私について、出来事を関連づけながら、選択・配列し、Narrative（物語）を作り出します。 紙の上においては読むことができる表面に置かれる痕跡としてNarrativeは出現しますが、紙を構造物として見た時に、紙と痕跡が形成される過程で生成される軌跡の存在に気がつきます。 そこに至る過程での出来事、それと同時に起きている出来事、世界のなかでそれに続いて起こる出来事、などとの関係が交錯する中、自分自身を位置付ける、または意味付けるための選択をし、配列した線を辿ることで、Narrative actは行われるのではないでしょうか。
表面から構造へ、軌跡へ、成り立ちへ、そして自己へ。
あらゆる関係の絡み合いへの興味と自覚は生の在り様そのものを深くみつめることになるのではないかと考えています。
Narrative act is one of the effective means by which I see me.
It creates Narrative by selecting and sequencing events, relating them to each other, about me as I am woven into the fabric of society and time. On paper, the narrative appears as a trace on a readable surface, but when we look at paper as a structure, we notice the existence of traces generated in the process of forming the paper and the trace. Narrative acts may be performed by making choices to position oneself or to give meaning to oneself, and by tracing the lines that have been arranged in the intermingling of the relationship with the events that have occurred in the process of getting there, the events that are occurring at the same time, and the events that follow in the world.
From surface to structure, to trajectory, to origins, and to self.
I believe that an interest in and awareness of the intertwining of all relationships will lead to a deeper look at the very nature of life itself.
Untitled
2022
籐、楮、漆喰、土性顔料
Rattan, mulberry, plaster, pigment
w348xd55xh453mm
籐、楮、漆喰、土性顔料
Rattan, mulberry, plaster, pigment
w348xd55xh453mm
Impression
2022
木材パルプ、染料、柿渋、亜麻仁油
Wood pulp,dye,persimmon tannin, linseed oil
w380xd60xh450mm
スポイトで紙材を点状に重ね、プレスする独自の方法で制作した紙の作品です。紙は過ぎた一時の痕跡であり、時間を含んでいく物質でもあります。Im「中へ」-press「押された」-ion「もの」によって目前の時間とその周囲の時間、あらゆる「今」について考えます。
This is a work on paper created by a unique method of layering and pressing paper materials in dots with a bulb baster. Paper is a trace of a time that has passed, and it is also a material that contains time. I think about the immediate time, the time around it, and all kinds of "nows".
木材パルプ、染料、柿渋、亜麻仁油
Wood pulp,dye,persimmon tannin, linseed oil
w380xd60xh450mm
スポイトで紙材を点状に重ね、プレスする独自の方法で制作した紙の作品です。紙は過ぎた一時の痕跡であり、時間を含んでいく物質でもあります。Im「中へ」-press「押された」-ion「もの」によって目前の時間とその周囲の時間、あらゆる「今」について考えます。
This is a work on paper created by a unique method of layering and pressing paper materials in dots with a bulb baster. Paper is a trace of a time that has passed, and it is also a material that contains time. I think about the immediate time, the time around it, and all kinds of "nows".
Impression
2022
木材パルプ、染料、柿渋、亜麻仁油
Wood pulp,dye,persimmon tannin, linseed oil
w380xd60xh450mm
スポイトで紙材を点状に重ね、プレスする独自の方法で制作した紙の作品です。紙は過ぎた一時の痕跡であり、時間を含んでいく物質でもあります。Im「中へ」-press「押された」-ion「もの」によって目前の時間とその周囲の時間、あらゆる「今」について考えます。
This is a work on paper created by a unique method of layering and pressing paper materials in dots with a bulb baster. Paper is a trace of a time that has passed, and it is also a material that contains time. I think about the immediate time, the time around it, and all kinds of "nows".
木材パルプ、染料、柿渋、亜麻仁油
Wood pulp,dye,persimmon tannin, linseed oil
w380xd60xh450mm
スポイトで紙材を点状に重ね、プレスする独自の方法で制作した紙の作品です。紙は過ぎた一時の痕跡であり、時間を含んでいく物質でもあります。Im「中へ」-press「押された」-ion「もの」によって目前の時間とその周囲の時間、あらゆる「今」について考えます。
This is a work on paper created by a unique method of layering and pressing paper materials in dots with a bulb baster. Paper is a trace of a time that has passed, and it is also a material that contains time. I think about the immediate time, the time around it, and all kinds of "nows".
220825_DiEGO_tomomiHanzawa.mov
Installation view
Follow the trails
2022
楮、土性顔料
Mulberry, earth pigment
w7200xd400mm
メキシコに行ったときに教えてもらった、伝統紙アマテの制作方法を参考に作品にしました。並べた木の皮を石で叩いて紙にする樹皮紙の一種です。
記録するための地としてあまりに普通に使用している紙も、実は構造物であり、形成される過程で時間や環境、出来事などいろいろな事物が交錯した痕跡でもあります。
木の皮を並べる際に使っていたガイド線を、版にして、出来た樹皮紙の上にガイド線を再度現しました。紙ができる過程で生じる、ずれやぬけに道を辿り直すことで気が付きます。
I made this work based on the method of making traditional paper amate, which I was taught when I visited Mexico. It is a type of bark paper made by beating the bark of lined trees with a stone to make paper.
Paper, which is so commonly used as a ground for recording, is actually a structure, a trace of the intermingling of various things such as time, environment, and events in the process of formation.
The guide lines used to line up the bark of the trees were used as plates, and the guide lines were reappeared on the resulting bark paper. By retracing the path, one notices the misalignments and omissions that occur in the process of paper making.
楮、土性顔料
Mulberry, earth pigment
w7200xd400mm
メキシコに行ったときに教えてもらった、伝統紙アマテの制作方法を参考に作品にしました。並べた木の皮を石で叩いて紙にする樹皮紙の一種です。
記録するための地としてあまりに普通に使用している紙も、実は構造物であり、形成される過程で時間や環境、出来事などいろいろな事物が交錯した痕跡でもあります。
木の皮を並べる際に使っていたガイド線を、版にして、出来た樹皮紙の上にガイド線を再度現しました。紙ができる過程で生じる、ずれやぬけに道を辿り直すことで気が付きます。
I made this work based on the method of making traditional paper amate, which I was taught when I visited Mexico. It is a type of bark paper made by beating the bark of lined trees with a stone to make paper.
Paper, which is so commonly used as a ground for recording, is actually a structure, a trace of the intermingling of various things such as time, environment, and events in the process of formation.
The guide lines used to line up the bark of the trees were used as plates, and the guide lines were reappeared on the resulting bark paper. By retracing the path, one notices the misalignments and omissions that occur in the process of paper making.
Follow the trails
2022
楮、土性顔料
Mulberry, earth pigment
w7200xd400mm
メキシコに行ったときに教えてもらった、伝統紙アマテの制作方法を参考に作品にしました。並べた木の皮を石で叩いて紙にする樹皮紙の一種です。
記録するための地としてあまりに普通に使用している紙も、実は構造物であり、形成される過程で時間や環境、出来事などいろいろな事物が交錯した痕跡でもあります。
木の皮を並べる際に使っていたガイド線を、版にして、出来た樹皮紙の上にガイド線を再度現しました。紙ができる過程で生じる、ずれやぬけに道を辿り直すことで気が付きます。
I made this work based on the method of making traditional paper amate, which I was taught when I visited Mexico. It is a type of bark paper made by beating the bark of lined trees with a stone to make paper.
Paper, which is so commonly used as a ground for recording, is actually a structure, a trace of the intermingling of various things such as time, environment, and events in the process of formation.
The guide lines used to line up the bark of the trees were used as plates, and the guide lines were reappeared on the resulting bark paper. By retracing the path, one notices the misalignments and omissions that occur in the process of paper making.
楮、土性顔料
Mulberry, earth pigment
w7200xd400mm
メキシコに行ったときに教えてもらった、伝統紙アマテの制作方法を参考に作品にしました。並べた木の皮を石で叩いて紙にする樹皮紙の一種です。
記録するための地としてあまりに普通に使用している紙も、実は構造物であり、形成される過程で時間や環境、出来事などいろいろな事物が交錯した痕跡でもあります。
木の皮を並べる際に使っていたガイド線を、版にして、出来た樹皮紙の上にガイド線を再度現しました。紙ができる過程で生じる、ずれやぬけに道を辿り直すことで気が付きます。
I made this work based on the method of making traditional paper amate, which I was taught when I visited Mexico. It is a type of bark paper made by beating the bark of lined trees with a stone to make paper.
Paper, which is so commonly used as a ground for recording, is actually a structure, a trace of the intermingling of various things such as time, environment, and events in the process of formation.
The guide lines used to line up the bark of the trees were used as plates, and the guide lines were reappeared on the resulting bark paper. By retracing the path, one notices the misalignments and omissions that occur in the process of paper making.
Narrative act
2022
籐、楮、漆喰、土性顔料
Rattan, mulberry, plaster, pigment
w675xd60xh915mm
Narrative act（物語行為）は私が私を見るために有効な手段の一つです。 社会や時間との絡まりの中で織りなされる私について、出来事を関連づけながら、選択・配列し、Narrative（物語）を作り出します。 紙の上においては読むことができる表面に置かれる痕跡としてNarrativeは出現しますが、紙を構造物として見た時に、紙と痕跡が形成される過程で生成される軌跡の存在に気がつきます。 そこに至る過程での出来事、それと同時に起きている出来事、世界のなかでそれに続いて起こる出来事、などとの関係が交錯する中、自分自身を位置付ける、または意味付けるための選択をし、配列した線を辿ることで、Narrative actは行われるのではないでしょうか。
表面から構造へ、軌跡へ、成り立ちへ、そして自己へ。
あらゆる関係の絡み合いへの興味と自覚は生の在り様そのものを深くみつめることになるのではないかと考えています。
Narrative act is one of the effective means by which I see me.
It creates Narrative by selecting and sequencing events, relating them to each other, about me as I am woven into the fabric of society and time. On paper, the narrative appears as a trace on a readable surface, but when we look at paper as a structure, we notice the existence of traces generated in the process of forming the paper and the trace. Narrative acts may be performed by making choices to position oneself or to give meaning to oneself, and by tracing the lines that have been arranged in the intermingling of the relationship with the events that have occurred in the process of getting there, the events that are occurring at the same time, and the events that follow in the world.
From surface to structure, to trajectory, to origins, and to self.
I believe that an interest in and awareness of the intertwining of all relationships will lead to a deeper look at the very nature of life itself.
籐、楮、漆喰、土性顔料
Rattan, mulberry, plaster, pigment
w675xd60xh915mm
Narrative act（物語行為）は私が私を見るために有効な手段の一つです。 社会や時間との絡まりの中で織りなされる私について、出来事を関連づけながら、選択・配列し、Narrative（物語）を作り出します。 紙の上においては読むことができる表面に置かれる痕跡としてNarrativeは出現しますが、紙を構造物として見た時に、紙と痕跡が形成される過程で生成される軌跡の存在に気がつきます。 そこに至る過程での出来事、それと同時に起きている出来事、世界のなかでそれに続いて起こる出来事、などとの関係が交錯する中、自分自身を位置付ける、または意味付けるための選択をし、配列した線を辿ることで、Narrative actは行われるのではないでしょうか。
表面から構造へ、軌跡へ、成り立ちへ、そして自己へ。
あらゆる関係の絡み合いへの興味と自覚は生の在り様そのものを深くみつめることになるのではないかと考えています。
Narrative act is one of the effective means by which I see me.
It creates Narrative by selecting and sequencing events, relating them to each other, about me as I am woven into the fabric of society and time. On paper, the narrative appears as a trace on a readable surface, but when we look at paper as a structure, we notice the existence of traces generated in the process of forming the paper and the trace. Narrative acts may be performed by making choices to position oneself or to give meaning to oneself, and by tracing the lines that have been arranged in the intermingling of the relationship with the events that have occurred in the process of getting there, the events that are occurring at the same time, and the events that follow in the world.
From surface to structure, to trajectory, to origins, and to self.
I believe that an interest in and awareness of the intertwining of all relationships will lead to a deeper look at the very nature of life itself.
Narrative act
2022
籐、楮、漆喰、土性顔料
Rattan, mulberry, plaster, pigment
w675xd60xh915mm
Narrative act（物語行為）は私が私を見るために有効な手段の一つです。 社会や時間との絡まりの中で織りなされる私について、出来事を関連づけながら、選択・配列し、Narrative（物語）を作り出します。 紙の上においては読むことができる表面に置かれる痕跡としてNarrativeは出現しますが、紙を構造物として見た時に、紙と痕跡が形成される過程で生成される軌跡の存在に気がつきます。 そこに至る過程での出来事、それと同時に起きている出来事、世界のなかでそれに続いて起こる出来事、などとの関係が交錯する中、自分自身を位置付ける、または意味付けるための選択をし、配列した線を辿ることで、Narrative actは行われるのではないでしょうか。
表面から構造へ、軌跡へ、成り立ちへ、そして自己へ。
あらゆる関係の絡み合いへの興味と自覚は生の在り様そのものを深くみつめることになるのではないかと考えています。
Narrative act is one of the effective means by which I see me.
It creates Narrative by selecting and sequencing events, relating them to each other, about me as I am woven into the fabric of society and time. On paper, the narrative appears as a trace on a readable surface, but when we look at paper as a structure, we notice the existence of traces generated in the process of forming the paper and the trace. Narrative acts may be performed by making choices to position oneself or to give meaning to oneself, and by tracing the lines that have been arranged in the intermingling of the relationship with the events that have occurred in the process of getting there, the events that are occurring at the same time, and the events that follow in the world.
From surface to structure, to trajectory, to origins, and to self.
I believe that an interest in and awareness of the intertwining of all relationships will lead to a deeper look at the very nature of life itself.
籐、楮、漆喰、土性顔料
Rattan, mulberry, plaster, pigment
w675xd60xh915mm
Narrative act（物語行為）は私が私を見るために有効な手段の一つです。 社会や時間との絡まりの中で織りなされる私について、出来事を関連づけながら、選択・配列し、Narrative（物語）を作り出します。 紙の上においては読むことができる表面に置かれる痕跡としてNarrativeは出現しますが、紙を構造物として見た時に、紙と痕跡が形成される過程で生成される軌跡の存在に気がつきます。 そこに至る過程での出来事、それと同時に起きている出来事、世界のなかでそれに続いて起こる出来事、などとの関係が交錯する中、自分自身を位置付ける、または意味付けるための選択をし、配列した線を辿ることで、Narrative actは行われるのではないでしょうか。
表面から構造へ、軌跡へ、成り立ちへ、そして自己へ。
あらゆる関係の絡み合いへの興味と自覚は生の在り様そのものを深くみつめることになるのではないかと考えています。
Narrative act is one of the effective means by which I see me.
It creates Narrative by selecting and sequencing events, relating them to each other, about me as I am woven into the fabric of society and time. On paper, the narrative appears as a trace on a readable surface, but when we look at paper as a structure, we notice the existence of traces generated in the process of forming the paper and the trace. Narrative acts may be performed by making choices to position oneself or to give meaning to oneself, and by tracing the lines that have been arranged in the intermingling of the relationship with the events that have occurred in the process of getting there, the events that are occurring at the same time, and the events that follow in the world.
From surface to structure, to trajectory, to origins, and to self.
I believe that an interest in and awareness of the intertwining of all relationships will lead to a deeper look at the very nature of life itself.
Narrative act
2022
籐、楮、漆喰、土性顔料
Rattan, mulberry, plaster, pigment
w675xd60xh915mm
Narrative act（物語行為）は私が私を見るために有効な手段の一つです。 社会や時間との絡まりの中で織りなされる私について、出来事を関連づけながら、選択・配列し、Narrative（物語）を作り出します。 紙の上においては読むことができる表面に置かれる痕跡としてNarrativeは出現しますが、紙を構造物として見た時に、紙と痕跡が形成される過程で生成される軌跡の存在に気がつきます。 そこに至る過程での出来事、それと同時に起きている出来事、世界のなかでそれに続いて起こる出来事、などとの関係が交錯する中、自分自身を位置付ける、または意味付けるための選択をし、配列した線を辿ることで、Narrative actは行われるのではないでしょうか。
表面から構造へ、軌跡へ、成り立ちへ、そして自己へ。
あらゆる関係の絡み合いへの興味と自覚は生の在り様そのものを深くみつめることになるのではないかと考えています。
Narrative act is one of the effective means by which I see me.
It creates Narrative by selecting and sequencing events, relating them to each other, about me as I am woven into the fabric of society and time. On paper, the narrative appears as a trace on a readable surface, but when we look at paper as a structure, we notice the existence of traces generated in the process of forming the paper and the trace. Narrative acts may be performed by making choices to position oneself or to give meaning to oneself, and by tracing the lines that have been arranged in the intermingling of the relationship with the events that have occurred in the process of getting there, the events that are occurring at the same time, and the events that follow in the world.
From surface to structure, to trajectory, to origins, and to self.
I believe that an interest in and awareness of the intertwining of all relationships will lead to a deeper look at the very nature of life itself.
籐、楮、漆喰、土性顔料
Rattan, mulberry, plaster, pigment
w675xd60xh915mm
Narrative act（物語行為）は私が私を見るために有効な手段の一つです。 社会や時間との絡まりの中で織りなされる私について、出来事を関連づけながら、選択・配列し、Narrative（物語）を作り出します。 紙の上においては読むことができる表面に置かれる痕跡としてNarrativeは出現しますが、紙を構造物として見た時に、紙と痕跡が形成される過程で生成される軌跡の存在に気がつきます。 そこに至る過程での出来事、それと同時に起きている出来事、世界のなかでそれに続いて起こる出来事、などとの関係が交錯する中、自分自身を位置付ける、または意味付けるための選択をし、配列した線を辿ることで、Narrative actは行われるのではないでしょうか。
表面から構造へ、軌跡へ、成り立ちへ、そして自己へ。
あらゆる関係の絡み合いへの興味と自覚は生の在り様そのものを深くみつめることになるのではないかと考えています。
Narrative act is one of the effective means by which I see me.
It creates Narrative by selecting and sequencing events, relating them to each other, about me as I am woven into the fabric of society and time. On paper, the narrative appears as a trace on a readable surface, but when we look at paper as a structure, we notice the existence of traces generated in the process of forming the paper and the trace. Narrative acts may be performed by making choices to position oneself or to give meaning to oneself, and by tracing the lines that have been arranged in the intermingling of the relationship with the events that have occurred in the process of getting there, the events that are occurring at the same time, and the events that follow in the world.
From surface to structure, to trajectory, to origins, and to self.
I believe that an interest in and awareness of the intertwining of all relationships will lead to a deeper look at the very nature of life itself.
Narrative act
2022
籐、楮、漆喰、土性顔料
Rattan, mulberry, plaster, pigment
w675xd60xh915mm
Narrative act（物語行為）は私が私を見るために有効な手段の一つです。 社会や時間との絡まりの中で織りなされる私について、出来事を関連づけながら、選択・配列し、Narrative（物語）を作り出します。 紙の上においては読むことができる表面に置かれる痕跡としてNarrativeは出現しますが、紙を構造物として見た時に、紙と痕跡が形成される過程で生成される軌跡の存在に気がつきます。 そこに至る過程での出来事、それと同時に起きている出来事、世界のなかでそれに続いて起こる出来事、などとの関係が交錯する中、自分自身を位置付ける、または意味付けるための選択をし、配列した線を辿ることで、Narrative actは行われるのではないでしょうか。
表面から構造へ、軌跡へ、成り立ちへ、そして自己へ。
あらゆる関係の絡み合いへの興味と自覚は生の在り様そのものを深くみつめることになるのではないかと考えています。
Narrative act is one of the effective means by which I see me.
It creates Narrative by selecting and sequencing events, relating them to each other, about me as I am woven into the fabric of society and time. On paper, the narrative appears as a trace on a readable surface, but when we look at paper as a structure, we notice the existence of traces generated in the process of forming the paper and the trace. Narrative acts may be performed by making choices to position oneself or to give meaning to oneself, and by tracing the lines that have been arranged in the intermingling of the relationship with the events that have occurred in the process of getting there, the events that are occurring at the same time, and the events that follow in the world.
From surface to structure, to trajectory, to origins, and to self.
I believe that an interest in and awareness of the intertwining of all relationships will lead to a deeper look at the very nature of life itself.
籐、楮、漆喰、土性顔料
Rattan, mulberry, plaster, pigment
w675xd60xh915mm
Narrative act（物語行為）は私が私を見るために有効な手段の一つです。 社会や時間との絡まりの中で織りなされる私について、出来事を関連づけながら、選択・配列し、Narrative（物語）を作り出します。 紙の上においては読むことができる表面に置かれる痕跡としてNarrativeは出現しますが、紙を構造物として見た時に、紙と痕跡が形成される過程で生成される軌跡の存在に気がつきます。 そこに至る過程での出来事、それと同時に起きている出来事、世界のなかでそれに続いて起こる出来事、などとの関係が交錯する中、自分自身を位置付ける、または意味付けるための選択をし、配列した線を辿ることで、Narrative actは行われるのではないでしょうか。
表面から構造へ、軌跡へ、成り立ちへ、そして自己へ。
あらゆる関係の絡み合いへの興味と自覚は生の在り様そのものを深くみつめることになるのではないかと考えています。
Narrative act is one of the effective means by which I see me.
It creates Narrative by selecting and sequencing events, relating them to each other, about me as I am woven into the fabric of society and time. On paper, the narrative appears as a trace on a readable surface, but when we look at paper as a structure, we notice the existence of traces generated in the process of forming the paper and the trace. Narrative acts may be performed by making choices to position oneself or to give meaning to oneself, and by tracing the lines that have been arranged in the intermingling of the relationship with the events that have occurred in the process of getting there, the events that are occurring at the same time, and the events that follow in the world.
From surface to structure, to trajectory, to origins, and to self.
I believe that an interest in and awareness of the intertwining of all relationships will lead to a deeper look at the very nature of life itself.
Narrative act
2022
籐、楮、漆喰、土性顔料
Rattan, mulberry, plaster, pigment
w675xd60xh915mm
Narrative act（物語行為）は私が私を見るために有効な手段の一つです。 社会や時間との絡まりの中で織りなされる私について、出来事を関連づけながら、選択・配列し、Narrative（物語）を作り出します。 紙の上においては読むことができる表面に置かれる痕跡としてNarrativeは出現しますが、紙を構造物として見た時に、紙と痕跡が形成される過程で生成される軌跡の存在に気がつきます。 そこに至る過程での出来事、それと同時に起きている出来事、世界のなかでそれに続いて起こる出来事、などとの関係が交錯する中、自分自身を位置付ける、または意味付けるための選択をし、配列した線を辿ることで、Narrative actは行われるのではないでしょうか。
表面から構造へ、軌跡へ、成り立ちへ、そして自己へ。
あらゆる関係の絡み合いへの興味と自覚は生の在り様そのものを深くみつめることになるのではないかと考えています。
Narrative act is one of the effective means by which I see me.
It creates Narrative by selecting and sequencing events, relating them to each other, about me as I am woven into the fabric of society and time. On paper, the narrative appears as a trace on a readable surface, but when we look at paper as a structure, we notice the existence of traces generated in the process of forming the paper and the trace. Narrative acts may be performed by making choices to position oneself or to give meaning to oneself, and by tracing the lines that have been arranged in the intermingling of the relationship with the events that have occurred in the process of getting there, the events that are occurring at the same time, and the events that follow in the world.
From surface to structure, to trajectory, to origins, and to self.
I believe that an interest in and awareness of the intertwining of all relationships will lead to a deeper look at the very nature of life itself.
籐、楮、漆喰、土性顔料
Rattan, mulberry, plaster, pigment
w675xd60xh915mm
Narrative act（物語行為）は私が私を見るために有効な手段の一つです。 社会や時間との絡まりの中で織りなされる私について、出来事を関連づけながら、選択・配列し、Narrative（物語）を作り出します。 紙の上においては読むことができる表面に置かれる痕跡としてNarrativeは出現しますが、紙を構造物として見た時に、紙と痕跡が形成される過程で生成される軌跡の存在に気がつきます。 そこに至る過程での出来事、それと同時に起きている出来事、世界のなかでそれに続いて起こる出来事、などとの関係が交錯する中、自分自身を位置付ける、または意味付けるための選択をし、配列した線を辿ることで、Narrative actは行われるのではないでしょうか。
表面から構造へ、軌跡へ、成り立ちへ、そして自己へ。
あらゆる関係の絡み合いへの興味と自覚は生の在り様そのものを深くみつめることになるのではないかと考えています。
Narrative act is one of the effective means by which I see me.
It creates Narrative by selecting and sequencing events, relating them to each other, about me as I am woven into the fabric of society and time. On paper, the narrative appears as a trace on a readable surface, but when we look at paper as a structure, we notice the existence of traces generated in the process of forming the paper and the trace. Narrative acts may be performed by making choices to position oneself or to give meaning to oneself, and by tracing the lines that have been arranged in the intermingling of the relationship with the events that have occurred in the process of getting there, the events that are occurring at the same time, and the events that follow in the world.
From surface to structure, to trajectory, to origins, and to self.
I believe that an interest in and awareness of the intertwining of all relationships will lead to a deeper look at the very nature of life itself.
Narrative act
2022
籐、楮、漆喰、土性顔料
Rattan, mulberry, plaster, pigment
w675xd60xh915mm
Narrative act（物語行為）は私が私を見るために有効な手段の一つです。 社会や時間との絡まりの中で織りなされる私について、出来事を関連づけながら、選択・配列し、Narrative（物語）を作り出します。 紙の上においては読むことができる表面に置かれる痕跡としてNarrativeは出現しますが、紙を構造物として見た時に、紙と痕跡が形成される過程で生成される軌跡の存在に気がつきます。 そこに至る過程での出来事、それと同時に起きている出来事、世界のなかでそれに続いて起こる出来事、などとの関係が交錯する中、自分自身を位置付ける、または意味付けるための選択をし、配列した線を辿ることで、Narrative actは行われるのではないでしょうか。
表面から構造へ、軌跡へ、成り立ちへ、そして自己へ。
あらゆる関係の絡み合いへの興味と自覚は生の在り様そのものを深くみつめることになるのではないかと考えています。
Narrative act is one of the effective means by which I see me.
It creates Narrative by selecting and sequencing events, relating them to each other, about me as I am woven into the fabric of society and time. On paper, the narrative appears as a trace on a readable surface, but when we look at paper as a structure, we notice the existence of traces generated in the process of forming the paper and the trace. Narrative acts may be performed by making choices to position oneself or to give meaning to oneself, and by tracing the lines that have been arranged in the intermingling of the relationship with the events that have occurred in the process of getting there, the events that are occurring at the same time, and the events that follow in the world.
From surface to structure, to trajectory, to origins, and to self.
I believe that an interest in and awareness of the intertwining of all relationships will lead to a deeper look at the very nature of life itself.
籐、楮、漆喰、土性顔料
Rattan, mulberry, plaster, pigment
w675xd60xh915mm
Narrative act（物語行為）は私が私を見るために有効な手段の一つです。 社会や時間との絡まりの中で織りなされる私について、出来事を関連づけながら、選択・配列し、Narrative（物語）を作り出します。 紙の上においては読むことができる表面に置かれる痕跡としてNarrativeは出現しますが、紙を構造物として見た時に、紙と痕跡が形成される過程で生成される軌跡の存在に気がつきます。 そこに至る過程での出来事、それと同時に起きている出来事、世界のなかでそれに続いて起こる出来事、などとの関係が交錯する中、自分自身を位置付ける、または意味付けるための選択をし、配列した線を辿ることで、Narrative actは行われるのではないでしょうか。
表面から構造へ、軌跡へ、成り立ちへ、そして自己へ。
あらゆる関係の絡み合いへの興味と自覚は生の在り様そのものを深くみつめることになるのではないかと考えています。
Narrative act is one of the effective means by which I see me.
It creates Narrative by selecting and sequencing events, relating them to each other, about me as I am woven into the fabric of society and time. On paper, the narrative appears as a trace on a readable surface, but when we look at paper as a structure, we notice the existence of traces generated in the process of forming the paper and the trace. Narrative acts may be performed by making choices to position oneself or to give meaning to oneself, and by tracing the lines that have been arranged in the intermingling of the relationship with the events that have occurred in the process of getting there, the events that are occurring at the same time, and the events that follow in the world.
From surface to structure, to trajectory, to origins, and to self.
I believe that an interest in and awareness of the intertwining of all relationships will lead to a deeper look at the very nature of life itself.
Untitled
2022
籐、楮、漆喰、土性顔料
Rattan, mulberry, plaster, pigment
w348xd55xh453mm
籐、楮、漆喰、土性顔料
Rattan, mulberry, plaster, pigment
w348xd55xh453mm
Impression
2022
木材パルプ、染料、柿渋、亜麻仁油
Wood pulp,dye,persimmon tannin, linseed oil
w380xd60xh450mm
スポイトで紙材を点状に重ね、プレスする独自の方法で制作した紙の作品です。紙は過ぎた一時の痕跡であり、時間を含んでいく物質でもあります。Im「中へ」-press「押された」-ion「もの」によって目前の時間とその周囲の時間、あらゆる「今」について考えます。
This is a work on paper created by a unique method of layering and pressing paper materials in dots with a bulb baster. Paper is a trace of a time that has passed, and it is also a material that contains time. I think about the immediate time, the time around it, and all kinds of "nows".
木材パルプ、染料、柿渋、亜麻仁油
Wood pulp,dye,persimmon tannin, linseed oil
w380xd60xh450mm
スポイトで紙材を点状に重ね、プレスする独自の方法で制作した紙の作品です。紙は過ぎた一時の痕跡であり、時間を含んでいく物質でもあります。Im「中へ」-press「押された」-ion「もの」によって目前の時間とその周囲の時間、あらゆる「今」について考えます。
This is a work on paper created by a unique method of layering and pressing paper materials in dots with a bulb baster. Paper is a trace of a time that has passed, and it is also a material that contains time. I think about the immediate time, the time around it, and all kinds of "nows".
Impression
2022
木材パルプ、染料、柿渋、亜麻仁油
Wood pulp,dye,persimmon tannin, linseed oil
w380xd60xh450mm
スポイトで紙材を点状に重ね、プレスする独自の方法で制作した紙の作品です。紙は過ぎた一時の痕跡であり、時間を含んでいく物質でもあります。Im「中へ」-press「押された」-ion「もの」によって目前の時間とその周囲の時間、あらゆる「今」について考えます。
This is a work on paper created by a unique method of layering and pressing paper materials in dots with a bulb baster. Paper is a trace of a time that has passed, and it is also a material that contains time. I think about the immediate time, the time around it, and all kinds of "nows".
木材パルプ、染料、柿渋、亜麻仁油
Wood pulp,dye,persimmon tannin, linseed oil
w380xd60xh450mm
スポイトで紙材を点状に重ね、プレスする独自の方法で制作した紙の作品です。紙は過ぎた一時の痕跡であり、時間を含んでいく物質でもあります。Im「中へ」-press「押された」-ion「もの」によって目前の時間とその周囲の時間、あらゆる「今」について考えます。
This is a work on paper created by a unique method of layering and pressing paper materials in dots with a bulb baster. Paper is a trace of a time that has passed, and it is also a material that contains time. I think about the immediate time, the time around it, and all kinds of "nows".
220825_DiEGO_tomomiHanzawa.mov
Installation view
Follow the trails
2022
楮、土性顔料
Mulberry, earth pigment
w7200xd400mm
メキシコに行ったときに教えてもらった、伝統紙アマテの制作方法を参考に作品にしました。並べた木の皮を石で叩いて紙にする樹皮紙の一種です。
記録するための地としてあまりに普通に使用している紙も、実は構造物であり、形成される過程で時間や環境、出来事などいろいろな事物が交錯した痕跡でもあります。
木の皮を並べる際に使っていたガイド線を、版にして、出来た樹皮紙の上にガイド線を再度現しました。紙ができる過程で生じる、ずれやぬけに道を辿り直すことで気が付きます。
I made this work based on the method of making traditional paper amate, which I was taught when I visited Mexico. It is a type of bark paper made by beating the bark of lined trees with a stone to make paper.
Paper, which is so commonly used as a ground for recording, is actually a structure, a trace of the intermingling of various things such as time, environment, and events in the process of formation.
The guide lines used to line up the bark of the trees were used as plates, and the guide lines were reappeared on the resulting bark paper. By retracing the path, one notices the misalignments and omissions that occur in the process of paper making.
楮、土性顔料
Mulberry, earth pigment
w7200xd400mm
メキシコに行ったときに教えてもらった、伝統紙アマテの制作方法を参考に作品にしました。並べた木の皮を石で叩いて紙にする樹皮紙の一種です。
記録するための地としてあまりに普通に使用している紙も、実は構造物であり、形成される過程で時間や環境、出来事などいろいろな事物が交錯した痕跡でもあります。
木の皮を並べる際に使っていたガイド線を、版にして、出来た樹皮紙の上にガイド線を再度現しました。紙ができる過程で生じる、ずれやぬけに道を辿り直すことで気が付きます。
I made this work based on the method of making traditional paper amate, which I was taught when I visited Mexico. It is a type of bark paper made by beating the bark of lined trees with a stone to make paper.
Paper, which is so commonly used as a ground for recording, is actually a structure, a trace of the intermingling of various things such as time, environment, and events in the process of formation.
The guide lines used to line up the bark of the trees were used as plates, and the guide lines were reappeared on the resulting bark paper. By retracing the path, one notices the misalignments and omissions that occur in the process of paper making.
Follow the trails
2022
楮、土性顔料
Mulberry, earth pigment
w7200xd400mm
メキシコに行ったときに教えてもらった、伝統紙アマテの制作方法を参考に作品にしました。並べた木の皮を石で叩いて紙にする樹皮紙の一種です。
記録するための地としてあまりに普通に使用している紙も、実は構造物であり、形成される過程で時間や環境、出来事などいろいろな事物が交錯した痕跡でもあります。
木の皮を並べる際に使っていたガイド線を、版にして、出来た樹皮紙の上にガイド線を再度現しました。紙ができる過程で生じる、ずれやぬけに道を辿り直すことで気が付きます。
I made this work based on the method of making traditional paper amate, which I was taught when I visited Mexico. It is a type of bark paper made by beating the bark of lined trees with a stone to make paper.
Paper, which is so commonly used as a ground for recording, is actually a structure, a trace of the intermingling of various things such as time, environment, and events in the process of formation.
The guide lines used to line up the bark of the trees were used as plates, and the guide lines were reappeared on the resulting bark paper. By retracing the path, one notices the misalignments and omissions that occur in the process of paper making.
楮、土性顔料
Mulberry, earth pigment
w7200xd400mm
メキシコに行ったときに教えてもらった、伝統紙アマテの制作方法を参考に作品にしました。並べた木の皮を石で叩いて紙にする樹皮紙の一種です。
記録するための地としてあまりに普通に使用している紙も、実は構造物であり、形成される過程で時間や環境、出来事などいろいろな事物が交錯した痕跡でもあります。
木の皮を並べる際に使っていたガイド線を、版にして、出来た樹皮紙の上にガイド線を再度現しました。紙ができる過程で生じる、ずれやぬけに道を辿り直すことで気が付きます。
I made this work based on the method of making traditional paper amate, which I was taught when I visited Mexico. It is a type of bark paper made by beating the bark of lined trees with a stone to make paper.
Paper, which is so commonly used as a ground for recording, is actually a structure, a trace of the intermingling of various things such as time, environment, and events in the process of formation.
The guide lines used to line up the bark of the trees were used as plates, and the guide lines were reappeared on the resulting bark paper. By retracing the path, one notices the misalignments and omissions that occur in the process of paper making.
Narrative act
2022
籐、楮、漆喰、土性顔料
Rattan, mulberry, plaster, pigment
w675xd60xh915mm
Narrative act（物語行為）は私が私を見るために有効な手段の一つです。 社会や時間との絡まりの中で織りなされる私について、出来事を関連づけながら、選択・配列し、Narrative（物語）を作り出します。 紙の上においては読むことができる表面に置かれる痕跡としてNarrativeは出現しますが、紙を構造物として見た時に、紙と痕跡が形成される過程で生成される軌跡の存在に気がつきます。 そこに至る過程での出来事、それと同時に起きている出来事、世界のなかでそれに続いて起こる出来事、などとの関係が交錯する中、自分自身を位置付ける、または意味付けるための選択をし、配列した線を辿ることで、Narrative actは行われるのではないでしょうか。
表面から構造へ、軌跡へ、成り立ちへ、そして自己へ。
あらゆる関係の絡み合いへの興味と自覚は生の在り様そのものを深くみつめることになるのではないかと考えています。
Narrative act is one of the effective means by which I see me.
It creates Narrative by selecting and sequencing events, relating them to each other, about me as I am woven into the fabric of society and time. On paper, the narrative appears as a trace on a readable surface, but when we look at paper as a structure, we notice the existence of traces generated in the process of forming the paper and the trace. Narrative acts may be performed by making choices to position oneself or to give meaning to oneself, and by tracing the lines that have been arranged in the intermingling of the relationship with the events that have occurred in the process of getting there, the events that are occurring at the same time, and the events that follow in the world.
From surface to structure, to trajectory, to origins, and to self.
I believe that an interest in and awareness of the intertwining of all relationships will lead to a deeper look at the very nature of life itself.
籐、楮、漆喰、土性顔料
Rattan, mulberry, plaster, pigment
w675xd60xh915mm
Narrative act（物語行為）は私が私を見るために有効な手段の一つです。 社会や時間との絡まりの中で織りなされる私について、出来事を関連づけながら、選択・配列し、Narrative（物語）を作り出します。 紙の上においては読むことができる表面に置かれる痕跡としてNarrativeは出現しますが、紙を構造物として見た時に、紙と痕跡が形成される過程で生成される軌跡の存在に気がつきます。 そこに至る過程での出来事、それと同時に起きている出来事、世界のなかでそれに続いて起こる出来事、などとの関係が交錯する中、自分自身を位置付ける、または意味付けるための選択をし、配列した線を辿ることで、Narrative actは行われるのではないでしょうか。
表面から構造へ、軌跡へ、成り立ちへ、そして自己へ。
あらゆる関係の絡み合いへの興味と自覚は生の在り様そのものを深くみつめることになるのではないかと考えています。
Narrative act is one of the effective means by which I see me.
It creates Narrative by selecting and sequencing events, relating them to each other, about me as I am woven into the fabric of society and time. On paper, the narrative appears as a trace on a readable surface, but when we look at paper as a structure, we notice the existence of traces generated in the process of forming the paper and the trace. Narrative acts may be performed by making choices to position oneself or to give meaning to oneself, and by tracing the lines that have been arranged in the intermingling of the relationship with the events that have occurred in the process of getting there, the events that are occurring at the same time, and the events that follow in the world.
From surface to structure, to trajectory, to origins, and to self.
I believe that an interest in and awareness of the intertwining of all relationships will lead to a deeper look at the very nature of life itself.
Narrative act
2022
籐、楮、漆喰、土性顔料
Rattan, mulberry, plaster, pigment
w675xd60xh915mm
Narrative act（物語行為）は私が私を見るために有効な手段の一つです。 社会や時間との絡まりの中で織りなされる私について、出来事を関連づけながら、選択・配列し、Narrative（物語）を作り出します。 紙の上においては読むことができる表面に置かれる痕跡としてNarrativeは出現しますが、紙を構造物として見た時に、紙と痕跡が形成される過程で生成される軌跡の存在に気がつきます。 そこに至る過程での出来事、それと同時に起きている出来事、世界のなかでそれに続いて起こる出来事、などとの関係が交錯する中、自分自身を位置付ける、または意味付けるための選択をし、配列した線を辿ることで、Narrative actは行われるのではないでしょうか。
表面から構造へ、軌跡へ、成り立ちへ、そして自己へ。
あらゆる関係の絡み合いへの興味と自覚は生の在り様そのものを深くみつめることになるのではないかと考えています。
Narrative act is one of the effective means by which I see me.
It creates Narrative by selecting and sequencing events, relating them to each other, about me as I am woven into the fabric of society and time. On paper, the narrative appears as a trace on a readable surface, but when we look at paper as a structure, we notice the existence of traces generated in the process of forming the paper and the trace. Narrative acts may be performed by making choices to position oneself or to give meaning to oneself, and by tracing the lines that have been arranged in the intermingling of the relationship with the events that have occurred in the process of getting there, the events that are occurring at the same time, and the events that follow in the world.
From surface to structure, to trajectory, to origins, and to self.
I believe that an interest in and awareness of the intertwining of all relationships will lead to a deeper look at the very nature of life itself.
籐、楮、漆喰、土性顔料
Rattan, mulberry, plaster, pigment
w675xd60xh915mm
Narrative act（物語行為）は私が私を見るために有効な手段の一つです。 社会や時間との絡まりの中で織りなされる私について、出来事を関連づけながら、選択・配列し、Narrative（物語）を作り出します。 紙の上においては読むことができる表面に置かれる痕跡としてNarrativeは出現しますが、紙を構造物として見た時に、紙と痕跡が形成される過程で生成される軌跡の存在に気がつきます。 そこに至る過程での出来事、それと同時に起きている出来事、世界のなかでそれに続いて起こる出来事、などとの関係が交錯する中、自分自身を位置付ける、または意味付けるための選択をし、配列した線を辿ることで、Narrative actは行われるのではないでしょうか。
表面から構造へ、軌跡へ、成り立ちへ、そして自己へ。
あらゆる関係の絡み合いへの興味と自覚は生の在り様そのものを深くみつめることになるのではないかと考えています。
Narrative act is one of the effective means by which I see me.
It creates Narrative by selecting and sequencing events, relating them to each other, about me as I am woven into the fabric of society and time. On paper, the narrative appears as a trace on a readable surface, but when we look at paper as a structure, we notice the existence of traces generated in the process of forming the paper and the trace. Narrative acts may be performed by making choices to position oneself or to give meaning to oneself, and by tracing the lines that have been arranged in the intermingling of the relationship with the events that have occurred in the process of getting there, the events that are occurring at the same time, and the events that follow in the world.
From surface to structure, to trajectory, to origins, and to self.
I believe that an interest in and awareness of the intertwining of all relationships will lead to a deeper look at the very nature of life itself.
Narrative act
2022
籐、楮、漆喰、土性顔料
Rattan, mulberry, plaster, pigment
w675xd60xh915mm
Narrative act（物語行為）は私が私を見るために有効な手段の一つです。 社会や時間との絡まりの中で織りなされる私について、出来事を関連づけながら、選択・配列し、Narrative（物語）を作り出します。 紙の上においては読むことができる表面に置かれる痕跡としてNarrativeは出現しますが、紙を構造物として見た時に、紙と痕跡が形成される過程で生成される軌跡の存在に気がつきます。 そこに至る過程での出来事、それと同時に起きている出来事、世界のなかでそれに続いて起こる出来事、などとの関係が交錯する中、自分自身を位置付ける、または意味付けるための選択をし、配列した線を辿ることで、Narrative actは行われるのではないでしょうか。
表面から構造へ、軌跡へ、成り立ちへ、そして自己へ。
あらゆる関係の絡み合いへの興味と自覚は生の在り様そのものを深くみつめることになるのではないかと考えています。
Narrative act is one of the effective means by which I see me.
It creates Narrative by selecting and sequencing events, relating them to each other, about me as I am woven into the fabric of society and time. On paper, the narrative appears as a trace on a readable surface, but when we look at paper as a structure, we notice the existence of traces generated in the process of forming the paper and the trace. Narrative acts may be performed by making choices to position oneself or to give meaning to oneself, and by tracing the lines that have been arranged in the intermingling of the relationship with the events that have occurred in the process of getting there, the events that are occurring at the same time, and the events that follow in the world.
From surface to structure, to trajectory, to origins, and to self.
I believe that an interest in and awareness of the intertwining of all relationships will lead to a deeper look at the very nature of life itself.
籐、楮、漆喰、土性顔料
Rattan, mulberry, plaster, pigment
w675xd60xh915mm
Narrative act（物語行為）は私が私を見るために有効な手段の一つです。 社会や時間との絡まりの中で織りなされる私について、出来事を関連づけながら、選択・配列し、Narrative（物語）を作り出します。 紙の上においては読むことができる表面に置かれる痕跡としてNarrativeは出現しますが、紙を構造物として見た時に、紙と痕跡が形成される過程で生成される軌跡の存在に気がつきます。 そこに至る過程での出来事、それと同時に起きている出来事、世界のなかでそれに続いて起こる出来事、などとの関係が交錯する中、自分自身を位置付ける、または意味付けるための選択をし、配列した線を辿ることで、Narrative actは行われるのではないでしょうか。
表面から構造へ、軌跡へ、成り立ちへ、そして自己へ。
あらゆる関係の絡み合いへの興味と自覚は生の在り様そのものを深くみつめることになるのではないかと考えています。
Narrative act is one of the effective means by which I see me.
It creates Narrative by selecting and sequencing events, relating them to each other, about me as I am woven into the fabric of society and time. On paper, the narrative appears as a trace on a readable surface, but when we look at paper as a structure, we notice the existence of traces generated in the process of forming the paper and the trace. Narrative acts may be performed by making choices to position oneself or to give meaning to oneself, and by tracing the lines that have been arranged in the intermingling of the relationship with the events that have occurred in the process of getting there, the events that are occurring at the same time, and the events that follow in the world.
From surface to structure, to trajectory, to origins, and to self.
I believe that an interest in and awareness of the intertwining of all relationships will lead to a deeper look at the very nature of life itself.
Narrative act
2022
籐、楮、漆喰、土性顔料
Rattan, mulberry, plaster, pigment
w675xd60xh915mm
Narrative act（物語行為）は私が私を見るために有効な手段の一つです。 社会や時間との絡まりの中で織りなされる私について、出来事を関連づけながら、選択・配列し、Narrative（物語）を作り出します。 紙の上においては読むことができる表面に置かれる痕跡としてNarrativeは出現しますが、紙を構造物として見た時に、紙と痕跡が形成される過程で生成される軌跡の存在に気がつきます。 そこに至る過程での出来事、それと同時に起きている出来事、世界のなかでそれに続いて起こる出来事、などとの関係が交錯する中、自分自身を位置付ける、または意味付けるための選択をし、配列した線を辿ることで、Narrative actは行われるのではないでしょうか。
表面から構造へ、軌跡へ、成り立ちへ、そして自己へ。
あらゆる関係の絡み合いへの興味と自覚は生の在り様そのものを深くみつめることになるのではないかと考えています。
Narrative act is one of the effective means by which I see me.
It creates Narrative by selecting and sequencing events, relating them to each other, about me as I am woven into the fabric of society and time. On paper, the narrative appears as a trace on a readable surface, but when we look at paper as a structure, we notice the existence of traces generated in the process of forming the paper and the trace. Narrative acts may be performed by making choices to position oneself or to give meaning to oneself, and by tracing the lines that have been arranged in the intermingling of the relationship with the events that have occurred in the process of getting there, the events that are occurring at the same time, and the events that follow in the world.
From surface to structure, to trajectory, to origins, and to self.
I believe that an interest in and awareness of the intertwining of all relationships will lead to a deeper look at the very nature of life itself.
籐、楮、漆喰、土性顔料
Rattan, mulberry, plaster, pigment
w675xd60xh915mm
Narrative act（物語行為）は私が私を見るために有効な手段の一つです。 社会や時間との絡まりの中で織りなされる私について、出来事を関連づけながら、選択・配列し、Narrative（物語）を作り出します。 紙の上においては読むことができる表面に置かれる痕跡としてNarrativeは出現しますが、紙を構造物として見た時に、紙と痕跡が形成される過程で生成される軌跡の存在に気がつきます。 そこに至る過程での出来事、それと同時に起きている出来事、世界のなかでそれに続いて起こる出来事、などとの関係が交錯する中、自分自身を位置付ける、または意味付けるための選択をし、配列した線を辿ることで、Narrative actは行われるのではないでしょうか。
表面から構造へ、軌跡へ、成り立ちへ、そして自己へ。
あらゆる関係の絡み合いへの興味と自覚は生の在り様そのものを深くみつめることになるのではないかと考えています。
Narrative act is one of the effective means by which I see me.
It creates Narrative by selecting and sequencing events, relating them to each other, about me as I am woven into the fabric of society and time. On paper, the narrative appears as a trace on a readable surface, but when we look at paper as a structure, we notice the existence of traces generated in the process of forming the paper and the trace. Narrative acts may be performed by making choices to position oneself or to give meaning to oneself, and by tracing the lines that have been arranged in the intermingling of the relationship with the events that have occurred in the process of getting there, the events that are occurring at the same time, and the events that follow in the world.
From surface to structure, to trajectory, to origins, and to self.
I believe that an interest in and awareness of the intertwining of all relationships will lead to a deeper look at the very nature of life itself.
Narrative act
2022
籐、楮、漆喰、土性顔料
Rattan, mulberry, plaster, pigment
w675xd60xh915mm
Narrative act（物語行為）は私が私を見るために有効な手段の一つです。 社会や時間との絡まりの中で織りなされる私について、出来事を関連づけながら、選択・配列し、Narrative（物語）を作り出します。 紙の上においては読むことができる表面に置かれる痕跡としてNarrativeは出現しますが、紙を構造物として見た時に、紙と痕跡が形成される過程で生成される軌跡の存在に気がつきます。 そこに至る過程での出来事、それと同時に起きている出来事、世界のなかでそれに続いて起こる出来事、などとの関係が交錯する中、自分自身を位置付ける、または意味付けるための選択をし、配列した線を辿ることで、Narrative actは行われるのではないでしょうか。
表面から構造へ、軌跡へ、成り立ちへ、そして自己へ。
あらゆる関係の絡み合いへの興味と自覚は生の在り様そのものを深くみつめることになるのではないかと考えています。
Narrative act is one of the effective means by which I see me.
It creates Narrative by selecting and sequencing events, relating them to each other, about me as I am woven into the fabric of society and time. On paper, the narrative appears as a trace on a readable surface, but when we look at paper as a structure, we notice the existence of traces generated in the process of forming the paper and the trace. Narrative acts may be performed by making choices to position oneself or to give meaning to oneself, and by tracing the lines that have been arranged in the intermingling of the relationship with the events that have occurred in the process of getting there, the events that are occurring at the same time, and the events that follow in the world.
From surface to structure, to trajectory, to origins, and to self.
I believe that an interest in and awareness of the intertwining of all relationships will lead to a deeper look at the very nature of life itself.
籐、楮、漆喰、土性顔料
Rattan, mulberry, plaster, pigment
w675xd60xh915mm
Narrative act（物語行為）は私が私を見るために有効な手段の一つです。 社会や時間との絡まりの中で織りなされる私について、出来事を関連づけながら、選択・配列し、Narrative（物語）を作り出します。 紙の上においては読むことができる表面に置かれる痕跡としてNarrativeは出現しますが、紙を構造物として見た時に、紙と痕跡が形成される過程で生成される軌跡の存在に気がつきます。 そこに至る過程での出来事、それと同時に起きている出来事、世界のなかでそれに続いて起こる出来事、などとの関係が交錯する中、自分自身を位置付ける、または意味付けるための選択をし、配列した線を辿ることで、Narrative actは行われるのではないでしょうか。
表面から構造へ、軌跡へ、成り立ちへ、そして自己へ。
あらゆる関係の絡み合いへの興味と自覚は生の在り様そのものを深くみつめることになるのではないかと考えています。
Narrative act is one of the effective means by which I see me.
It creates Narrative by selecting and sequencing events, relating them to each other, about me as I am woven into the fabric of society and time. On paper, the narrative appears as a trace on a readable surface, but when we look at paper as a structure, we notice the existence of traces generated in the process of forming the paper and the trace. Narrative acts may be performed by making choices to position oneself or to give meaning to oneself, and by tracing the lines that have been arranged in the intermingling of the relationship with the events that have occurred in the process of getting there, the events that are occurring at the same time, and the events that follow in the world.
From surface to structure, to trajectory, to origins, and to self.
I believe that an interest in and awareness of the intertwining of all relationships will lead to a deeper look at the very nature of life itself.
Narrative act
2022
籐、楮、漆喰、土性顔料
Rattan, mulberry, plaster, pigment
w675xd60xh915mm
Narrative act（物語行為）は私が私を見るために有効な手段の一つです。 社会や時間との絡まりの中で織りなされる私について、出来事を関連づけながら、選択・配列し、Narrative（物語）を作り出します。 紙の上においては読むことができる表面に置かれる痕跡としてNarrativeは出現しますが、紙を構造物として見た時に、紙と痕跡が形成される過程で生成される軌跡の存在に気がつきます。 そこに至る過程での出来事、それと同時に起きている出来事、世界のなかでそれに続いて起こる出来事、などとの関係が交錯する中、自分自身を位置付ける、または意味付けるための選択をし、配列した線を辿ることで、Narrative actは行われるのではないでしょうか。
表面から構造へ、軌跡へ、成り立ちへ、そして自己へ。
あらゆる関係の絡み合いへの興味と自覚は生の在り様そのものを深くみつめることになるのではないかと考えています。
Narrative act is one of the effective means by which I see me.
It creates Narrative by selecting and sequencing events, relating them to each other, about me as I am woven into the fabric of society and time. On paper, the narrative appears as a trace on a readable surface, but when we look at paper as a structure, we notice the existence of traces generated in the process of forming the paper and the trace. Narrative acts may be performed by making choices to position oneself or to give meaning to oneself, and by tracing the lines that have been arranged in the intermingling of the relationship with the events that have occurred in the process of getting there, the events that are occurring at the same time, and the events that follow in the world.
From surface to structure, to trajectory, to origins, and to self.
I believe that an interest in and awareness of the intertwining of all relationships will lead to a deeper look at the very nature of life itself.
籐、楮、漆喰、土性顔料
Rattan, mulberry, plaster, pigment
w675xd60xh915mm
Narrative act（物語行為）は私が私を見るために有効な手段の一つです。 社会や時間との絡まりの中で織りなされる私について、出来事を関連づけながら、選択・配列し、Narrative（物語）を作り出します。 紙の上においては読むことができる表面に置かれる痕跡としてNarrativeは出現しますが、紙を構造物として見た時に、紙と痕跡が形成される過程で生成される軌跡の存在に気がつきます。 そこに至る過程での出来事、それと同時に起きている出来事、世界のなかでそれに続いて起こる出来事、などとの関係が交錯する中、自分自身を位置付ける、または意味付けるための選択をし、配列した線を辿ることで、Narrative actは行われるのではないでしょうか。
表面から構造へ、軌跡へ、成り立ちへ、そして自己へ。
あらゆる関係の絡み合いへの興味と自覚は生の在り様そのものを深くみつめることになるのではないかと考えています。
Narrative act is one of the effective means by which I see me.
It creates Narrative by selecting and sequencing events, relating them to each other, about me as I am woven into the fabric of society and time. On paper, the narrative appears as a trace on a readable surface, but when we look at paper as a structure, we notice the existence of traces generated in the process of forming the paper and the trace. Narrative acts may be performed by making choices to position oneself or to give meaning to oneself, and by tracing the lines that have been arranged in the intermingling of the relationship with the events that have occurred in the process of getting there, the events that are occurring at the same time, and the events that follow in the world.
From surface to structure, to trajectory, to origins, and to self.
I believe that an interest in and awareness of the intertwining of all relationships will lead to a deeper look at the very nature of life itself.
Untitled
2022
籐、楮、漆喰、土性顔料
Rattan, mulberry, plaster, pigment
w348xd55xh453mm
籐、楮、漆喰、土性顔料
Rattan, mulberry, plaster, pigment
w348xd55xh453mm
Impression
2022
木材パルプ、染料、柿渋、亜麻仁油
Wood pulp,dye,persimmon tannin, linseed oil
w380xd60xh450mm
スポイトで紙材を点状に重ね、プレスする独自の方法で制作した紙の作品です。紙は過ぎた一時の痕跡であり、時間を含んでいく物質でもあります。Im「中へ」-press「押された」-ion「もの」によって目前の時間とその周囲の時間、あらゆる「今」について考えます。
This is a work on paper created by a unique method of layering and pressing paper materials in dots with a bulb baster. Paper is a trace of a time that has passed, and it is also a material that contains time. I think about the immediate time, the time around it, and all kinds of "nows".
木材パルプ、染料、柿渋、亜麻仁油
Wood pulp,dye,persimmon tannin, linseed oil
w380xd60xh450mm
スポイトで紙材を点状に重ね、プレスする独自の方法で制作した紙の作品です。紙は過ぎた一時の痕跡であり、時間を含んでいく物質でもあります。Im「中へ」-press「押された」-ion「もの」によって目前の時間とその周囲の時間、あらゆる「今」について考えます。
This is a work on paper created by a unique method of layering and pressing paper materials in dots with a bulb baster. Paper is a trace of a time that has passed, and it is also a material that contains time. I think about the immediate time, the time around it, and all kinds of "nows".
Impression
2022
木材パルプ、染料、柿渋、亜麻仁油
Wood pulp,dye,persimmon tannin, linseed oil
w380xd60xh450mm
スポイトで紙材を点状に重ね、プレスする独自の方法で制作した紙の作品です。紙は過ぎた一時の痕跡であり、時間を含んでいく物質でもあります。Im「中へ」-press「押された」-ion「もの」によって目前の時間とその周囲の時間、あらゆる「今」について考えます。
This is a work on paper created by a unique method of layering and pressing paper materials in dots with a bulb baster. Paper is a trace of a time that has passed, and it is also a material that contains time. I think about the immediate time, the time around it, and all kinds of "nows".
木材パルプ、染料、柿渋、亜麻仁油
Wood pulp,dye,persimmon tannin, linseed oil
w380xd60xh450mm
スポイトで紙材を点状に重ね、プレスする独自の方法で制作した紙の作品です。紙は過ぎた一時の痕跡であり、時間を含んでいく物質でもあります。Im「中へ」-press「押された」-ion「もの」によって目前の時間とその周囲の時間、あらゆる「今」について考えます。
This is a work on paper created by a unique method of layering and pressing paper materials in dots with a bulb baster. Paper is a trace of a time that has passed, and it is also a material that contains time. I think about the immediate time, the time around it, and all kinds of "nows".
220825_DiEGO_tomomiHanzawa.mov
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